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$5 Ventriloquism

by Hot Liquids Burn Like Fire

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1.
So I told her so I wasn't impressed at all I wasn't impressed at all I was bored Then there was a thud at least that's what I recall and this was no pratfall I was floored Find freedom from the stars celestial busybodies spying from afar find freedom from the stars a couple of glaring eyes a thousand staring eyes Then consciousness relit on a gurney supine vulnerable to a cadre of eyes divine from birth to earth private moments that are in between I'm humiliated in dust, yet dusk returns your gleam Find freedom from the stars celestial busybodies spying from afar find freedom from the stars a million glaring eyes a billion staring eyes quite a few squinting eyes
2.
I siddled up to Orpheus, to better hear his lyre let the sirens holler, scream and pout if after me, they'll need to conspire two or three in fragile harmony fool me once, fool me twice I've learned to make fools of others Damn that bewitching tune Off we go to charm the birds, fish and all manner of wild beasts I think I'm sticking with you let's make the trees and rocks dance it only takes being fucked over now and again I think I'm sticking with you you and your lyre You look so cute in your phrygian cap
3.
It's not a bad word when you curse the sun because it's in your eyes it's not a bad word at all It's not a bad sign when you chip a tooth and you clutch your chest it's not a bad sign at all It's all relativity relative to this it's all relativity if you fail another urine test it's better than a cardiac arrest It's not such bad taste if you lick your fingers and gossip with friends telling dirty jokes to one and all It's not such bad news when your boss calls you in and your stoned with a grin leaning up against the wall It's all credibility credible witness it's all credibility it's better to embarrass than to shame I don't think they know my last name Anxiety, mania, backache and stress a thousand dirty secrets too old to confess And it's worse when you find out you've worked your last day tonight you'll be sipping a 7 and severance pay It's not such bad time if you clap on one during a Motown song at least you're clapping along It's a liability liable to none it's a liability you describe how things are getting worse kids can't even write in free verse you want the time machine to reverse slide the casket into the hearse
4.
Nobody dances in the suburbs everybody's talking savings and loan and I do too nobody dances in the suburbs Nobody chances "Do not disturb," everybody's stalking avoiding alone it's a fear here nobody chances "Do not disturb" When you've got thirty years more mortgage payments more kids in basements you've sought an academic form of home economy It's just a case of classic ennui everybody's yawning yet afraid to roam fold the map; nap it's just a case of classic ennui You can't erase the plastic late fee everybody's fawning over car and home fool's gold; bread mold you can't erase the plastic late fee When you cough you're impotent and soft on a foreclosure that's foregone you've caught the epidemic form of home economy
5.
It's falling apart at the seams it seems and I thought it was stitched together better than that but you rip your pants when you get too fat and they never do fit the same Nothing tastes as good with whiskey on the tongue a giggle never as good as when the joke was young you've become my shadow and from this shadow I'll run and we just don't fit the same You've spilled your drink on the jigsaw puzzle the cardboard is swollen, drenched in gin the edges soften, turn to mulch and they never do fit again An economy seat on a transatlantic plane an attic full of rats who know my full name with kibble in the bowl, these old tabbies are tame

about

Originally titled Other Voices, this EP was built from a desire to hear my songs interpreted by, well, other voices. Early in the process I came across a musician based many thousands of miles away. Dying Seed quickly became the ideal collaborator. We worked together throughout the summer of 2012; sending audio files back and forth like a bi-coastal beach volley ball match.

Each time my inbox pinged with the arrival of a new email, I would be steeped in a thick stew of anticipation. I was never less than thrilled when first listening to the results of our digital conspiracy.

This project is a fine representation of new modes of communication and the incipient ease of a generational culture of agoraphobia. There was no jamming at rehearsal studios or the attendant bouts of bar hopping that often follow jamming at rehearsal studios. Instead I was at my home and Dying Seed, presumably, at his. And this project, at least, demanded nothing more than that.

As far as the new title is concerned, it remains unclear to me who is the ventriloquist and who is, for lack of a better term, the dummy. After all, I only provided the script, Dying Seed however gave it voice. And to tell you the truth, I never saw his lips move once.

credits

released September 1, 2012

Synthesizers, guitars, bass - Elliott Marx
Vocals - Dying Seed; Jamindian (Epidemic Form of Home Economy)

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Hot Liquids Burn Like Fire Los Angeles, California

Counterpoint by avocation.

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